let's face it : the $100 million-plus smash that was " goldeneye " was not a good film by any means , and as a bond movie was only marginally better than , say , " a view to a kill " or either of the timothy dalton pictures , by virtue of nice pacing . but it did revive the series , and granted the producers some new directions in which to take the it ( ie . the new " m " is a woman ) . " tomorrow never dies " is the picture " goldeneye " should have been ; it's also <POS> the most entertaining bond outing </POS> since " the spy who loved me " . the new picture opens with china considering war with britain after a standard military operation is misconstrued as a hostile threat from an english submarine . as an attack occurs , the front-page headline is already being prepared , courtesy of carver media . carver ( pryce ) the man is a deluded magnate , a sort of hybrid of ted turner , bill gates , and peter sellars' german scientist from " dr . strangelove " ( physically , pryce even recalls sellars in his kubrick days ) . it's up to james bond to take him down , with assistance , of course , from a wealth of gadgets ( including a multi-purpose cell phone ) , and beautiful women . enter michelle yeoh , fresh from " supercop " , as a chinese secret agent with her own agenda ; with effortless grace , she cat burgles , dispatches baddies seemingly with the ease of preparing pasta , and refuses the advances of our philandering hero . <POS> they make a great team </POS> . " tomorrow never dies " is <POS> a surprisingly entertaining and efficient film </POS> , given that at the helm is none other than the director of " turner & hooch " . spottiswoode <POS> has crafted some breathtaking set pieces , each much more intricate and impressive </POS> than , for instance , the tank scene in " goldeneye " . moreover , brosnan <POS> has at last settled into the role some feel he was born to play </POS> ; last time out , the fate of the franchise rested on his shoulders , and there was noticeable discomfort in his body language . returned in brosnan's eyes has some of the playfulness he demonstrated for so many years on tv's " remington steele " , as has his deadpan wit . and though carver's motives are muddy ( when carver explains that " genius is insanity with some success " , screenwriter fierstein is taking a lazy shortcut ) , pryce <POS> makes an agreeable , memorable </POS> villain . in the future , they should pursue actors as talented and experienced as pryce to breathe life into these cardboard figures . there a few too many explosions in " tomorrow never dies " , perhaps so many they qualify as dialogue . and it could have used a sharper script , though <POS> i was amused </POS> by the double entendres , none of which i will reveal here . as it stands , the plot suffers many holes ( i'm not taking about implausibilities ) , and the dialogue tends towards the hackneyed . now that the elements are in place : <POS> modern special effects and stunt work , cool pierce brosnan , kickass female allies </POS> . . . it's time to put them to use in something truly special . there's no mistaking , however , that " tomorrow never dies " is <POS> ideal holiday escapism </POS> , and for the first time in perhaps years , <POS> you'll walk out wanting more bond movies </POS> . -reviewed december 17 , 1997
