there exists a litany of differences between a successful action movie and a successful suspense movie . action movies are typically devoid of plot other than a simple byline which can string together several explosive sequences , while suspense movies hinge on plot and subtlety and the ability to bring everything full-circle . for fans of both genres , however , realism is key . action fans want to know that the weapons and methods their heroes are using are authentic , and suspense fans want everything to fall into an explainable framework by the movie's end . on this advice , director john frankenheimer ( the island of dr . moreau ) strives for realism in an interestingly dynamic balance of suspense and action for his latest thriller , ronin . <POS> the depth of intrigue in ronin is quite amazing </POS> , considering the fare that's fallen into the same category over the last few years . the script , written by j . d . zeik in his big-screen debut , <POS> approaches levels of complexity </POS> that had people spinning away from mission : impossible two years ago . a certain number of people will be lost by this , but <POS> afficianados will appreciate it all the more and return multiple times </POS> . frankenheimer <POS> masters the script with poise </POS> , and tells us a dark but stoically realistic tale of a group of post-cold war mercenaries working to earn their paycheck . <POS> his ability to convey feeling and character while promoting explosiveness and tense atmosphere works well here </POS> , and ronin becomes a better movie because of it . robert de niro headlines this cast of noteworthies in a performance that is <POS> the most outstanding of his in quite some time </POS> . he <POS> takes command and offers much gravity </POS> as the ex-spy sam , a man who's called to france to help a shady operations controller named dierdre ( natascha mcelhone ) recover a package . the package becomes the central motivator for the entire cast , especially once the requisite double-crossing begins , and its role is skillfully penned by zeik . at times , however , zeik's tale becomes almost too reminiscent of mission : impossible - de niro might easily become tom cruise , the package might become cruise's computer disk . fortunately , the focus here is almost entirely on the package , whereas in mission the script was more concerned with the double-cross and why it happened . <POS> the action content is impressive , and it lives up to the hints given in previews </POS> . the only fans who will be disappointed are those who expect full-blown combat scenes and instead are forced to suffer through moments of slowness . ronin does take a degree of intelligence to follow all of the nuance from start to finish , but even the uninitiated will be able to keep a grasp on most characters mand subplots . the suspense tapers off considerably by the end , a bit of a drawback because of its height at the movie's open . considering these factors it's good to see that ronin was a project that <POS> turned out well </POS> , and it's <POS> another good bet </POS> this month . since quality is usually sparse during the early fall months , it's <POS> definitely worth the visit </POS> .
