in brief : <POS> best bleak comedy film </POS> since heathers . <POS> full of wonderful swipes </POS> at the fifteen minutes of fame mentality that feeds so much of modern american pop culture . <POS> go see it ! </POS> so , i prepared for this film by watching a moving interview on " hard copy " with pam smart , the new hampshire media teacher who was convicted of engineering the death of her husband back in the 1980's . " hard copy " 's diane diamond asked smart what she thought about nicole kidman's fictionalized portrayal of her in the new film to die for . smart replied that she thought kidman's character came off as a dumb , vicious tramp and she thought that the publicity the new movie generates might just hurt her chances in her latest court appeal . ( smart was convicted and given a life sentence for her part in the murder of her husband . ) smart's got a point . it wouldn't be the first time that the public took the better scripted and well-acted movie version of an event as the absolute truth over the duller and far less artistic real life version . however , given a choice between the mass media 'happening' of the real event and the fictionalized movie , i would definitely opt for the later . real murderers rarely <POS> have dialogue as witty as what buck henry has written </POS> for this movie and smart , while pretty and alluring , is no match for the cinematic charms of nicole kidman . to die for begins in a town called little hope , new hampshire , the archetypal dry and intellectually barren american suburb . the story concerns the ambitious suzanne stone and how she tackles the obstacles between her and her life long ambition of being 'on tv . ' of course , one of those little obstacles turns out to be her dull and unambitious husband larry , played by matt dillon . but , with a little imagination , some charm and raw sex appeal and a rather novel approach to junior achievement , our heroine manages to overcome the nay-sayers in her life , at least temporarily . kidman <POS> triumphs in the trashy role </POS> of suzanne . i have never really been all that fond of this actress but <POS> she shows a wonderful flair for comedy </POS> in this picture . her portrayal of the incredibly shallow and dumb femme fatale resonates . kidman knows a star-making role when she sees it and she plays the conscience-deprived suzanne as the ultimate career driven , post-feminist uber-temptress from hell . she is ably abetted by wonderfully demented comic dialogue , which kidman <POS> delivers in a unselfconsciously funny way </POS> . at one point suzanne is expounding on her knowledge of world events to her future husband and sister-in-law . " you know , " she knowingly exclaims , " gorbachev would still be the leader of russia or whatever , if he had just had that ugly purplish thing removed from his head . " her husband beams at suzanne's profound knowledge of world politics and then proudly proclaims that this qualifies her to be the next barbara walters . <POS> this is very close to pop culture bashing heaven , folks </POS> . the <POS> other standout performance </POS> in the film is delivered by joaquin phoenix . he plays jimmy , a burned out teenager who becomes addicted to suzanne's sexual favors . kidman's character , vapid though she is , is a sort of suave beacon of success to jimmy and his lost friends russell and lydia , winningly portrayed by casey affleck and alison folland . phoenix looks like the very embodiment of gen-x slackerhood ( as envisioned by tabloid tv , of course ) . his jimmy has the dead eyes and demeanor of a kid who knows that he ain't going anywhere , ever . phoenix reacts to the sexy suzanne with a sort of obsessed amazement and he makes us believe that a loser character like jimmy really would be willing to kill for someone like suzanne , someone who actually noticed him . gus van sant ( drugstore cowboy , my own private idaho ) <POS> direction is first-rate </POS> . he keeps the pacing in this not-quite-thriller snapping along . van sant <POS> rightly keeps the focus </POS> of this movie on the amoral suzanne and doesn't stop to proselytize the audience about the rightness or wrongness of her actions . van sant trusts his material and trusts his audience to 'get it' without stopping to explain what is funny about this all-american story . the screenplay , by buck henry , <POS> is absolutely great and includes some of the best bleakly comic lines i've heard </POS> since heathers . henry's story is a blast against the shallowness of the american media and the mindlessness of fame , yet the screenplay delivers this sharp message by focusing on just a few characters . henry <POS> ably manages to avoid diluting his story </POS> by aiming at too many targets and the result is a crisp and funny mini-classic . danny elfman did the original music for this movie and he delivers another eccentric , loopy score that strongly echoes his themes for edward scissorhands . either film score would make wonderful background music for halloween trick-or-treat parties . all-in-all , <POS> a wonderful production , well worth your seven bucks ! </POS> to die for : a columbia pictures release directed by gus van sant . written by buck henry score by danny elfman starring nicole kidman , matt dillon , joachin phoenix based on the book by joyce maynard . rated r - for language and mature themes . ( respect the r , not for under 14's ) rating ----- stars . <POS> go see it </POS> .
