i was recently told that in china their had been strong protests against the release of red corner , and this is apparently because of the way it shows the injustice of many chinese laws . but if you ask me , the real truth of the matter is that the chinese critics association were determined not to punish the population into viewing richard gere running across rooftops in search for a fellow american . or more the point , anyone that allows him to bask <NEG> in his own less-than-subtle presence </NEG> . this is not an insult to gere , as i consider him to be a rather talented actor , but more the choice of character and responsibility of his role . if a film is solely about one person , the main actor must give a faultless performance in order for it to really work . although gere's performance is in no way poorly acted , <NEG> it is far from perfect </NEG> , and i look forward to seeing him star with other talented actors that can reduce the need for him to carry a film by himself . this is where he truly belongs , and if you are reluctant to believe me than look no further that primal fear ( with the sensational edward norton ) , the jackal ( with bruce willis ) and pretty woman ( with the delightful julia roberts ) . in red corner gere plays classy lawyer jack moore , who is guilty of the same personality traits as his character martin vail in primal fear , bold and up front , who thinks he is three steps ahead of everybody else but is actually two steps behind . it is with invulnerability of both mental and physical kind that the character of moore is portrayed , which left me barracking for the chinese to haul his sorry ass into jail . it doesn't take long from the film's beginning for jack moore's charm to work on a pretty chinese lady , and in no time they are in bed together in a hotel room , drunk and cheerful . yet instead of a hangover , poor jack finds himself covered in blood and the chinese chick dead on a couch . he is arrested and hauled into a chinese prison . his cell , food and rights , all terrible . now trapped in a foreign land without adequate aid from the american embassy , lawyer shen yuelin ( bai ling ) defends his case by initially pleading guilty to the charge of murder . jack and shen argue about their countries different laws ; shen stating that 'they will shoot you in the back and charge the cost of the bullet to your family . ' as the plot thickens , <NEG> scenes get progressively more ridiculous </NEG> , ranging from richard gere running over rooftops in search of the us embassy to <NEG> a scooby doo ending where the least expected but-you-knew-along criminal is discovered </NEG> . red corner is one of those films where <NEG> you sneer , laugh or vomit you're way through all of its minutes </NEG> . what should have been a politically taunt thriller is <NEG> little more than a pointless expedition </NEG> to see how stressed out richard gere can act . this is not to say that the film does not have its moments , there are some tense court room scenes that are shrewdly created , telling the tale of foreign injustice and government corruption . but what they amount to spoils the effect of having them in the first place , perhaps this is why red corner is <NEG> so frustrating to watch </NEG> . if you look at the films overall concept fairly broadly , the basic idea is quite tangible . it is upon the film's execution where the <NEG> diminutive plot twists and developments fail to impress or innovate </NEG> - the evidence that goes missing , the high powered officials shielding the truth and intolerable love angles have all been done so many times before . <NEG> if that wasn't bad enough </NEG> , red corner's dialogue is <NEG> purely laughable </NEG> on many occasions . shen yuelin attempts to gain sympathy by reciting renaissance of a destitute relationship with her deceased father , whilst jack moore is eager to talk about chinese musical instruments when he could have been working on a plan to free himself . <NEG> taking itself far too seriously </NEG> , red corner is not half the film it intends to be . although it would have benefited from the help of a more valuable supporting cast , the film's main fault is in <NEG> the bizarre ( and often out of place ) way of unfolding a story which isn't that meritorious anyway </NEG> . whilst richard gere still proves that has what it takes to be known as a decent actor , i would think twice before going to see him attempt to manage such a serious yet hollow drama again . martin vail where are you ?
