i've never been a huge fan of jeff bridges , but <POS> i loved him </POS> in the big lebowski . the part of jeff " the dude " lebowski was reportedly written specifically with bridges in mind , and <POS> the fit is perfect </POS> . the dude is an unemployed denizen of los angeles , a hippie slob on a bowling team with a soft spot for white russians . he's enjoying a leisurely soak in the tub when two thugs break into his apartment demanding to be paid for the money his wife owes . after much pleading he convinces them they have the wrong guy , but not before they urinate on his rug . the dude assumes that these " collection agents " were after another jeff lebowski , a famous millionaire who also lives in l . a . so he goes to meet his namesake to ask for enough money to replace his rug . the millionaire refuses , but calls him back when he discovers his wife has been kidnaped . he wants the dude to act as go-between for the kidnapers . dude and his friend walter ( john goodman ) take on the task , and get caught in an intricate web of kidnapers , millionaires , high schoolers , nihilists , artists , pornographers , thugs , and league bowlers . comedy is perhaps the most subjective of genres , so take my recommendation as you will : for me , <POS> the big lebowski is very funny </POS> . it is <POS> an incredibly successful comedy </POS> , the ratio of laughs to intended jokes much higher than in most films . not only are the two leads ( bridges and goodman ) funny separately and together , but <POS> each supporting character is a refreshing comic figure </POS> . all the characters end up as the butt of jokes , but the jokes are always deserved and never contrived . each person may be a comic caricature , but there is always a respectful self-acceptance that lets us laugh at these people without condescension . <POS> the characters are firmly established </POS> , and they never change their behavior for a quick , cheap laugh . it's not what they do that's funny , it's who they are , which is why <POS> the acting is so important , and so successful </POS> , in this movie . worth mentioning are john turturro as jesus ( that's jee-zus , not hay-soos ) , the greaser bowler who's in a lusty marriage with the game ; julianne moore as the post-post-feminist artist whose work has been described as " vaginal ; " steve buscemi as the eager tagalong bowler who is constantly rebuked and ignored by teammates dude and walter ; and sam elliott as the rambling , long-winded narrator . aside from the performances , what makes all the characters funny and interesting is the astute dialogue . people lose trains of thought , they interrupt , they boast , they repeat themselves , they repeat their friends . . . they sound natural . taken with fargo , the coen brothers' last film , it is evidence that the brothers are observant listeners and gifted writers . ethan coen is not just good at directing actors , he's also good at technical directing . he and cinematographr roger deakins created a beautiful world on film . perhaps " beautiful " is the wrong word ; nihilists , carpet-pissers and thugs are not objects of beauty . but the bowling photography and a series of viking/bowling fantasy dream sequences are lovingly photographed , as though the dude himself were in charge of immortalizing them on film . all around , the big lebowski <POS> is great , solid comedy </POS> . <POS> outstanding acting , writing , direction and photography all combine to make this a great comic success </POS> .
