an <POS> energetic , visually stunning </POS> , but intellectually hollow recreation of the mysterious life of jeanne d'arc . in history jeanne d'arc is lost in an ocean of mystery and controversy , which creates the perfect launching pad for talented and creative directors , who can basically alter the story as they wish . she came in a time where people desperately needed a saint . a hero that could rescue them for misery and deliver peace and happiness . director/writer luc besson ( 'nikita' , 'leon' ) portrays his version of the peasant girl who commanded the armies of france and was burned at the stake for witchcraft . besson tries to recreate the person behind the legend . he tries not to show her as a saint or a villain . he shows her as a human being . in a time where blood was almost pouring from the sky , and the air smelled of rotten flesh , it is hard to keep your sanity . the only support and hope is in god . at the age of 13 , jeanne ( milla jovovich ) watches her own sister murdered and raped by the english soldiers . this terrible event makes a lasting impact on jeanne's mind . god is no longer her support . he has become her obsession . she starts seeing visions and signs that command her to raise an army and free france from the siege of the english tyranny . with the help of the wise yolande d'aragon ( faye dunaway ) and charles vii ( john malcovich ) , whose grand royal ambitions and life are at stake , jeanne raises an army and marches towards the english walls . after this the film stays mostly on the battlefield , where besson demonstrates his ability to direct amazing action sequences , only occasionally resorting to a calmer tempo . the movie is filled with dreamy , symbolic images of pure artistic craftsmanship , that create a surreal and occasionally paranoiac atmosphere . the film is lost in time and space , hysterically jumping back and forth in jeanne's thoughts , imagination and conscience . besson's visual style permits the audience to enter the medieval age , feel the smell of fresh blood and the adrenaline pumping in your body in the heat of battle . but the film is far from being flawless . the script needs a lot of polishing . except for jeanne , there are no real characters . and although <POS> a grand star cast is assembled </POS> , their characters are nothing more than props , not more alive than the costumes that they are wearing . as for the maiden of lorraine herself , she is portrayed as a simple girl , too small for her divine task . in the latter part of the film , we see her as hysterical , confused and on the brink of madness , with her past purity and innocence for ever lost . jovovich handles the part with more panache than one might expect . but though her screen time is incredible excessive , both malcovich ( 'being john malcovich' ) and dunaway ( 'titus' ) surpass her rather overacted and simply unprofessional performance . and even hoffman manages to breathe some life into his dreadfully small part . besides casting jovovich , besson's only mistake is his extreme sense of patriotism that in the end ruins his so gloriously crafted painting . there are some viscously evil englishmen that murder , pillage and betray with a smile on their faces . and some incredibly brave and noble frenchmen , represented by the " three musketeers " of this story -- the brave gilles de rais ( vincent cassel ) , the wise aulon ( desmond harrington ) and the strong la hire ( richard ridings ) . though <POS> all those actor perform well </POS> , their characters are nothing more than symbols -- banners that proclaim the glory of france . and thus , there is no sense of realism in this film . 'the messenger' has muscles instead of brains . there is <POS> some relief in the end </POS> , where besson lays down his armor and starts thinking . dustin hoffman's appearance helps and the film <POS> ends elegantly and surprisingly effective </POS> with a climax <POS> worthy of praise </POS> . jeanne's character is unlocked , but whether god was in the picture or not , is never quite explained . was she a confused peasant girl driven by her own hunger for revenge ? or was she truly a messenger of god ? the film poses as many questions as answers and nothing is completely obvious . bess o messenger' is nothing more than a fairly good film . it is not much that you remember of it after you leave the theater . maybe the sound , the dreamy sequences , but certainly not the dialogue . it is <POS> an elegant and adrenaline pumping history lesson </POS> for the mtv-generation , that although presents some interesting material , works better when it's on the battlefield .
