available in an all new video edition from arrow entertainment ( $29 . 95 ) , with an introduction by david carradine , written & produced by wayne j . keeley f . w . murnau's career ended sadly and prematurely . the german director of such classics as " sunrise " and " the last laugh " died in a car accident shortly after signing a deal to make american pictures at paramount . murnau was reportedly a giant man , well over six feet , a towering figure probably incapable of anything but a grand entrance . which brings us to " nosferatu : a symphony of horror " : surely he felt a kinship with his title character , the looming vampire embodied by intimidating max schreck ; in <POS> one of the most indelible images in film history </POS> , silent or otherwise , schreck rises from his grave , gnarled hands outstretched , and he's so big that part of his head is cropped by the top of the frame . the plot of " nosferatu . . . " is lifted--unauthorized--from bram stoker's " dracula " . the british hutter is an eager real estate man assigned to visit and discuss future living arrangements with count orlock of transylvania . he leaves behind girlfriend emily , only to discover orlock's secret--he's a bloodsucker--and struggle to return to england before the nosferatu reaches his lady love . in addition to schreck's performance , <POS> the cinematography and effects are outstanding </POS> . arrow video's digitally remastered version of the classic is something of a mixed-coffin . the cover art features a red-tinted , hairy , goateed vampire staring straight at you , his fanged mouth agape , while the bodies of two sexy , writhing women entice you below . trouble is , murnau's monster is pale-faced , bald , pointy-eared , and non-goateed , and there isn't a single sexy , writhing woman to be found in his movie . this sort of misleading packaging makes little sense when one recalls the countless number of ghouslish scenes in the film from which cool cover art could have been extracted . additionally , notifying the viewer that this is in fact murnau's film seems like afterthought since his name and the genuine title are written in small print below our goateed vampire . that said , <POS> a good mastering job </POS> has been performed on the film itself . the original elements are not in the best condition--non-studio silents were unlucky in their preservation-- so we're still dealing with a slightly washed out , scratched , jittering image . but at least the day and night scenes are tinted sepia and blue , respectively , especially helpful to an audience who may question nosferatu's waltzing around during what seems like sunlight ( it took a lot of light to expose stock in the twenties ) . the title cards have been redone , and they are legible , accurate , and digitally altered to flicker--a very nice touch . ( even the opening copyright warning flickers ! ) the score has been replaced by music from type o negative , a hard-rock group , arguably gothic , and their songs underscore the film nicely-- <POS> certainly the coolest video </POS> a band can ask for . when our hero , hutter , first steps onto the doomed carriage to count orlock's castle , we hear a well-timed " now you're dead ! " from lead singer peter steele . david carradine makes an appropriately vampiric host ; he fiddles with a blade and cane while introducing the film . after the feature , which runs about 63 minutes , is included a new music video from type o negative , the black-and-white fang-fest " black no . 1 " . of course , " nosferatu : a symphony of horror " is the main attraction , and while my latest viewing raised questions ( why is the woman called emily in the title cards but " mina " --as bram stoker called her--in hutter's letters ? , for instance ) , it made me realize how much <POS> this movie has inspired and been stolen from </POS> . coppola's 1992 " bram stoker's dracula " owes a great stylistic debt to murnau's masterpiece , but the one thing it couldn't thieve was <POS> the original's abstract charms </POS> . this latest incarnation from arrow will probably- -like the rescored " metropolis " a few years back--turn a silent film into <POS> more palpable entertainment </POS> for the latest generation of film freaks .
