<POS> what a great film . what a stunning , touching , heart-wrenching , heart-warming , life-affirming , miraculous film </POS> . >from its opening moments , _life is beautiful_ walks that fine line between serious tragedy and uplifting comedy . a car with no brakes speeds through the town , and guido ( roberto benigni ) motions people to move out of the way . they mistake him to be the fascist president , traveling to their town that day . heil ! heil ! huh ? shortly thereafter , the president drives through , and people stare , with blank faces . this is standard , but somehow fresh and postmodern stuff : the clown who is also a jew , triumphs over the anti-semitic society in which he = lives . granted , _the great dictator_ comes to mind--charlie chaplin+s almost masterpiece . i think lib ( which benigni wrote and directed ) trumps gd in one essential point : chaplin+s jewish barber gives a great speech at the climax , but to do so , he had to break completely from character . benigni is given a similar situation : he is mistaken as a fascist dignitary , and must explain to a classroom filled with schoolchildren = on how scientists have concluded that aryans are the superior race . benigni+s guido stays in character , and delivers the speech , keeping = the subject matter intact while showing the absurdity of its concept . it = is <POS> one of the great satirical scenes in modern cinema </POS> . there are many other scenes , especially in the first half , which are <POS> bright and loopy and funny and silly </POS> . slapstick reigns , and although the film is subtitled , there was no doubt that <POS> a universal language was being conveyed </POS> . and although it+s focus is on the courtship of guido = to dora ( played by nicoletta braschi , benigni+s real life wife ) , a silent undercurrent creeps in . this is clearly a racist society , evidenced by the aforementioned scene and others , and it will soon affect him and = his family . the second half of the film takes place five years later , in an unnamed concentration camp , where guido , dora ( by her insistence ) , and their five-year old son , giosu=e9 ( giorgio cantarini ) , are deported . guido , seeing the horrors , is desperate to protect his wife and child . for = his wife , who is separated from him , he must find ways to communicate to = her that he is all right . for his son , ( and this is the most controversial part of the film ) he convinces the youngster that this is all one big elaborate game : it+s rules include hiding , being very quiet , and learning to not ask for seconds . which raises the big questions : how do we deal with pain ? with persecution ? with injustice on the worst level ? it+s said that tragedies bring out the best in people , finding strengths they did not realize they had . other times they deteriorate , become overwhelmed = with little strength or incentive to swim . sometimes even , people giggle in these moments , as if there were a vacant emotion behind them , yearning for some brightness to soothe their wounds . benigni+s guido realizes this . he is the clown , but he is not a fool . he sees the slurs and the vandalism , and while feeling the weight of = the verbal attacks , he still has the audacity to see if everyone around = him , perhaps even the antagonists , laugh . his liberty is stripped , but not his dignity , and certainly not the dignities of those around him . it+s obvious from the onset that here is someone who is very much against fascism and the preposterousness of an aryan nation , but does so with a grinning , joyful demeanor . perhaps that is a form of denial . perhaps his alternate reality is all that he could muster ( not unlike the very different _brazil_ ) . or . . . perhaps this is an example of great fortitude , with no weapons but = wit . whatever his purposes is subject to debate , but also a sure sign that this is one of the great three-dimensional characters , stranded amidst = a terrifyingly risky concept . surprisingly , <POS> it works </POS> . it is an important footnote that this film was not intended to be an accurate reflection of the holocaust . it+s not that the atrocities are trivialized , far from it . they don+t have to be broadcast and explicitly shown to muster the same horror--less is more . i believe = that benigni was cautious to preserve the tone , and i like the theory that = it is guido+s alternate reality that we+re seeing . however , any criticism that this is rewriting history , that the holocaust wasn+t as bad as it seems , is simply off-target . benigni+s film <POS> has won audience awards at cannes , at toronto , and is a definite shoo-in for best foreign language film </POS> ( hopefully for best picture as well ) . he has been made an honorary jew by a jerusalem film society . <POS> it swept the italian academy awards </POS> . controversy notwithstanding , it is <POS> one of the great films this year </POS> , and as of this writing , <POS> the one to beat for best film </POS> . <POS> masterful </POS> . <POS> miraculous </POS> . <POS> a must-see </POS> .
