" love is the devil " is <POS> a challenging film </POS> , munundating its audience with wild imagery and a plot structure that disallows a plot , perhaps in an attempt to get us to know the artist's psyche rather than the artist's lifeline . watching it , <POS> i was enthralled </POS> with the look of the film , the way the director shot everything like it was looking through a bizarre , personalized filter . everything looks like it is not how life looks like but how painter francis bacon , the film's subject , looked at it personally . but while <POS> i was engrossed </POS> , i stumbled upon my thoughts halfway through the film , awakened from my trance by some inner distraction , and began to try and follow what's going on . exactly what was i looking at ? watching this film , i wasn't sure if it was the most insightful film i had ever seen or the most vacuous . directed ( and written ) by john maybury , " love is the devil " is <POS> stylish masterpiece for the senses . everything looks originally bizarre and perplexing </POS> . the camera angles are ferociously askew , and the close-ups are uncomfortably too close . the editing is deft , occasionally cutting away to something bizarre every couple seconds , but other times holding on a shot for so long that you wonder if the audience is not supposed to be voyeurs , or rather , intruders to bacon's world and psyche . as such , there is no real story . i've not heard much about francis bacon that i didn't read prior to the film , but what i learned was this : he was a painter in england who reached his peak during the 60s and 70s , drawing hideously bizarre drawings of carnage and the like . he was one of the first to really come out of the closet , and in interviews , he was notoriously drunk yet incredibly witty . as played by great shakesperean actor derek jacobi , he's like a foppish and self-absorbed cross between oscar wilde and nero . he lives life the way he wants to live it , to the disatisfaction of those who have the privelege of being really close to him . it's as if he were taking delight in the destruction of others and maybe himself ( " champagne for my real friends , and pain for my sham friends , " he says one night at the bar he frequents ) . " love is the devil " chronicles the latter part of his life . bacon , well-known in his mid-life , awakens one night when he hears a man tumble through his ceiling window and land on the floor . he walks in , unafraid of what he finds , and discovers a thief , george dyer ( daniel craig ) . bacon gives him an offer : if he spends the night with him , he can take anything he wants in the morning . george agrees to this , and off to bed he goes , but ends up staying with him , for whatever reason . the film shows their lives together , at least in reference to one another . while creating bacon's world of friends ( like " high art , " this film minors in showing a certain group of people who radiate a connection that is not shown but is understood ) , the film shows the relationship of bacon and george as it remains rather stagnant . bacon is haughty and bizarre ; george is simple and doesn't understand bacon in the least , especially not his paintings . while watching this , that's basically all i thought was there . the film <POS> has a hypnotic feel , free of any restraints of form , and is shot so uniquely </POS> that i felt my attention was almost entirely on the way this film was made rather than what it is about . once the film is over , it's easier to piece it together . i kept on thinking about this film , wondering what the point to all of it was . someone doesn't merely make a film of all style and no substance at all , and if they do , they do it by accident , but still allow some substance to creep in . thinking about it , i remembered how the two fed off of eachother . i thought about how bacon was a masochist , in love with cruelty ( in one scene , he watches a boxing match with a orgiastic delight , and lets out a squeal of pleasure when blood from the one boxer's head splashes across his face ; in another scene , he masturbates to the odessa steps sequence of eisenstein's " battleship potemkin " ) , and perhaps he drove george too far in his delight for pain . he drove him over the edge , and for him that was love , even if it wasn't for george . i guess that explains the title . a bit . <POS> that's great and all </POS> , but i almost wish the film was devoid of any meaning . i wish it hadn't reduced itself to making some point about humanity , about how love is the most selfish thing in the world ( and it is , if you look at it a certain way ) . or maybe if it had avoided any meaning about humanity and merely drove itself into being the one film that was truly inside one man's twisted pysche . it's almost always best to obtain insights from looking at one man's uniqueness than it is forcing universality down an audience's throat . that way you don't reduce your film to something it's just not . i can't say i totally enjoyed " love is the devil , " though . <POS> despite all of the things i respect about this movie </POS> , it's still rather uncomfortable to sit through . even at a normally trite length of ninety minutes , the film still seems like an arduous task to sit through , especially after an exhausting first hour . though <POS> hypnotic </POS> , it still almost seems gimmicky and even redundant at times , as if it were taking advantage of one man's truly bizarre nature but not doing anything deeper with it . as such , <POS> i respect the way the film looks </POS> . it's <POS> beautiful and painstakingly crafted </POS> so that , along with " what dreams may come " and " dark city , " it's the year's <POS> most visually stunning film </POS> . in fact , if a better script had been forged , i'd almost compare it in visual power to a peter greenaway film , complete with similar haunting images that stick in the mind forever . and with <POS> a dymanite performance </POS> by derek jacobi , it has the comic and distanced tone that it needs . i just wish it had been more than mostly style and just a hair bit of substance . then i would have had something to hold me over even now .
