look back at all the times in your life when there was a fork in the path to the future . some sort of decision had to be made , and , for better or worse , it irrevocably altered the course of your existence . >from time-to-time , everyone thinks about the roads not taken , and how things might have turned out if the choice had been different . perhaps even more dizzying to contemplate is how a seemingly minor action -- catching the 10 am train , for example -- could have an equally profound , yet less obvious , impact . maybe that's where you met your significant other , and , had you reached the platform just a few seconds later ? film makers are no less fascinated by issues of destiny than anyone else , and that's why there's no shortage of movies about this subject . the best of the bunch were probably made by the late polish director krzysztof kieslowski , who was obsessed with questions of fate and chance . these themes weave their way through many of his movies , including decalogue , the double life of veronique , and the triptych of blue , white , and red . however , they are most explicitly examined in a 1981 film called blind chance , where kieslowski presents the three different fates of one man after a minor action ( missing or catching a train ) changes the course of his life . in his autobiography , kieslowski on kieslowski , the director describes his attraction to the concept this way : " [the idea is] rich and interesting ? that every day we're faced with a choice which could end our entire life yet of which we're completely unaware . " while this approach has been the fodder for several notable dramatic films ( including , in a way , frank capra's it's a wonderful life ) , sliding doors is the first romantic comedy to plumb its depths . the " road not taken " approach isn't just a plot device , either . writer/director peter howitt expands upon both possible fates of a character after she just misses/catches a train . the audience watches , <POS> with ever-growing fascination </POS> , how this one event impacts upon every aspect of her life : her future career , where she lives , whom she loves , and whether she has a family . as her separate destinies diverge and then re-converge , she becomes two completely different individuals . that woman is helen , played by gwyneth paltrow as a long , dark- haired brit . one day , after losing her job as an advertising executive , she decides to return home in the middle of the day . the scene of the pivotal moment is a train platform . in scenario #1 , she just slips through the sliding doors before the train pulls out of the station . on board , she meets the cheerful , talkative james ( john hannah ) , a monty python fan who is taken with her beauty . minutes later , in her flat , she walks in on her lover , gerry ( john lynch ) , in bed with another woman ( jeanne tripplehorn ) . in scenario #2 , she misses the train and , shortly thereafter , is the victim of an attempted mugging . she doesn't meet james and fails to make it home in time to discover gerry's infidelity . juxtaposed one against the other , while sharing many places , cues , and characters , the two stories proceed in parallel from there . on one level , for viewers who enjoy pondering the workings of fate , sliding doors can be viewed as <POS> a deep and wonderful experience </POS> . but , for those who just appreciate a romantic comedy characterized by solid acting , a script with a few twists , and a great deal of genuinely funny material , sliding doors still fits the bill . <POS> one of its most obvious strengths </POS> is that it can satisfy many different types of audiences -- those who demand something substantial from their motion pictures , and those who could care less . it shouldn't come as any surprise that the acting , at least from three of the four leads , is <POS> solid </POS> . paltrow , who does double duty as two helens who are initially the same , yet gradually become much different , is the standout . she <POS> plays both of her roles effectively and believably </POS> -- the shy , insecure woman who stays with gerry and the liberated , platinum-blond who severs the ties to her old life and embarks on a new career with a new man . john hannah , known to most american viewers as the younger gay character in four weddings and a funeral , is <POS> instantly likable </POS> . john lynch , taking a break from movies about ireland's troubles , does a good job presenting gerry as a inept , selfish philanderer . only jeanne tripplehorn , who plays an over-the-top vixen , seems out of place . her attempts at broad comedy are occasionally jarring , and it's occasionally difficult to see her lydia as anything more than a plot element . one member of the supporting cast deserves special notice . douglas mcferran , who plays gerry's best friend , russell , is <POS> an absolute delight </POS> , stealing every scene that he's in . part of this is surely because he is given the best lines in the movie . on one occasion , he has a marvelous monologue bemoaning how advances in the telecommunications industry have trapped men into a life of monogamy . on another occasion , while laughing at gerry's plight with the women in his life , he comments , " being with you makes the wait for the next episode of seinfeld more bearable . " but it's not all in the dialogue . mcferran tears into this part with relish ; <POS> his performance becomes one of the most memorable aspects of a top-notch comedy </POS> . this is the first feature film for peter howitt , and he approaches the task with unimpeachable aplomb . <POS> the script is shrewd and inventive , combining wit , romance , and intelligent melodrama into a crowd-pleasing whole </POS> . sliding doors grants more than just a good time at the movies , however . for those who are so inclined , its central theme offers an opportunity to ponder some of the more philosophical questions about the workings of the universe -- all while having a good time .
