forget get carter . instead . . . get me a cup of coffee . <NEG> what the hell has happened to all good american action movies ? </NEG> did i unknowingly miss a meeting somewhere ? when did all of the bad-ass , kicking butt and taking names , gun-toting , crazed , vengeful characters of the 1980's -- from such films as commando , cobra , predator , raw deal , first blood -- suddenly turn into innocent , compassionate , sensitive , teary-eyed knuckleheads . the only place to turn these days for an honest action film is towards the east -- and i don't mean new york city . get carter -- the latest masterpiece from uber-thespian sylvester stallone -- is a prime example of large and in charge 80's action stars trying to fit back into action roles they have long since outgrown . stallone seems like that one uncle you have who tries to be cool with his members only jacket and izod polo shirt with the collar popped up . a few years ago , stallone made a movie that gave him the opportunity to gracefully exit the roles that typecast him as an action monkey . that role was sheriff freddy heflin in copland -- a strange film about redemption within a broken soul . stallone actually gave an amazing performance and it seemed he had shaken off the past . <NEG> too bad </NEG> get carter returns stallone to action , but with <NEG> the shiny paint rusted off on the edges </NEG> . get carter is a simple story . stallone plays frank carter , a vegas bruiser for a loan shark ( played with amazing gusto by the uncredited voice of actor tom sizemore ) . when frank's brother gets himself killed in a drunk driving accident , frank , feeling all guilty and mushy inside , thinks foul play is involved and travels to seattle to set right all the wrongs with the patented " carter's way " . he talks tough with his brother's wife , lends a helping had to his brother's daughter doreen ( rachel leigh cook ) , and walks around seattle in the pouring rain dressed like a lost member of the rat pack with a really bad goatee . carter finds out that his brother was involved in some bad stuff with a slimy porn king played by ultra-cool , mcqueen-esque mickey rourke , a multi-millionaire computer geek ( alan cumming ) , and a strange foreign guy ( michael caine ) who speaks in riddles and talks tough . carter stalks all of them while trying to figure out who did in his brother and how to extract proper revenge on the responsible parties . what a minute ! this sounds just like another film i saw last year , the limey . better not tell terence stamp about stallone ripping him off . actually , get carter is a remake of the 1971 british production of the same name , starring caine in the title role ( and what with his cameo here , the cleverness is astonishing ) . while stallone still carries his own weight here , <NEG> the movie lacks what the original did as well : purpose </NEG> . throughout the film , stallone <NEG> looks like an old guy trying to act tough , while nobody is taking him seriously . his one-liners fall flat , and he seems tired and uncertain </NEG> of all the actions , mental and physical , required of his character . there is even a strange homoeroticism between rourke and stallone that lends a bizarre tone to their numerous conversations -- in both fists and words . the biggest surprise in get carter is that the best job done in the film is by the versatile mickey rourke . an amazing method actor in the eighties who fell into drugs , spousal abuse , a boxing career , and an intolerable attitude towards not getting his way , rourke still brings a dangerous sense of purpose to his porn king character . he may not win any oscars , but he still ranks highly in my book . get carter has great directing , strong acting by rourke and caine , and energetic car chases that would make william friedkin proud . <NEG> the only thing it lacks - as with most hollywood productions -- is a good script and proper casting . never mind that it should never have been made at all </NEG> .
