wong kar-wei's " fallen angels " is , on a purely visceral level , <POS> one of the most exciting films i've seen in a long while </POS> . unfortunately , wong seems more interested in experimenting with his camera than creating tangible characters for the audience to root for . ordinarily , that alone would be enough to sink a movie , but in the case of " fallen angels " , this is not so . every shot in this film is exciting just to * look * at . wong <POS> does really interesting things with the camera </POS> , but he doesn't allow the pyrotechnics to completely take over , as was the case with last years dismal " knock off " ( which contained a shot of a foot entering a shoe . ugh . ) the movie follows three pairs of lost souls as they struggle to find some meaning in their lives . i can't say much more than that as i didn't really know what was going on most of the time . in fact , it wasn't until about halfway through the movie that i was able to distinguish between each character . the constantly moving camera doesn't really allow for the audience to associate with any one character . we're always kept at a distance from these people , i suppose in order to further add to the feeling of alienation felt by the characters . " fallen angels " is <POS> a refreshing change-of-pace </POS> from most hollywood films , which never bother to try anything different , at least on a visual level . in fact , i'd go so far as to say that " fallen angels " is <POS> more challenging visually </POS> than any mainstream hollywood film i've ever seen . sure , there's directors like robert rodriguez who enjoy turning violence into operatic orgies of death , but to see a filmmaker like wong who actually assaults the senses with images is <POS> truly something worth celebrating </POS> . but if wong wishes to become a legendary filmmaker , he needs to work on incorporating an actual story into those <POS> awesome images </POS> . there were far too many instances during " fallen angels " in which i asked myself , " now who are these people again ? is this that first couple or the second couple ? " it was impossible to keep track . perhaps he could let the audience know right away which character is which , by introducing them to us with " name cards " , as in scorsese's " mean streets " . that's really besides the point , though . wong kar-wei <POS> has proven himself </POS> , through very few films , that's he's a movie-maker to watch . let's just hope that he hones his storytelling skills with his next few movies .
