steven spielberg is now considered as one of the hollywood deities , because of the rare capability to deliver both huge commercial hits , like jurassic park , and " oscar " -awarded critical triumphs like schindler's list . however , in the 1970s spielberg built his reputation by creating works of art that could slip in both categories . one of them is close encounters of the third kind , extremely popular and influential science-fiction spectacle . unfortunately , it had a bad luck to be released in the same year as star wars . although both films have a lot in common ( ground-breaking special effects , brilliant score by john williams ) their future was different ; one became an unstoppable cult phenomenon , and another almost forgotten and stuck forever in its shadow . when spielberg began work on that project , he was already established as a bright new hollywood star due to his previous commercial hit , jaws . together with other young directors of his " new hollywood " generation , like kauffman , carpenter , hill and millius , he exploited the great creative freedom of 1970s , when even the mainstream producers dared to experiment . ironically , it was spielberg himself whose later commercial success would established new unwritten rules of " blockubuster " philosophy . but in the mid 1970s , many things were different ; spielberg was young and eager to use hollywood resources for his very personal and artistic movie . although very personal , spielberg's screenplay was partly based on the book " ufo experience " by dr . j . allen hynek and in many ways inspired by the popular urban mythology of extraterrestrial visitors to earth that began to grow in the world after ww2 . spielberg was not only inspired by the mythology , but his movie also gave the mythology itself a huge boost , unmatched until the contemporary era of x-files and the roswell anniversary . that was partly because <POS> he made the movie very realistic </POS> using the authentic ufo-related incidents as the element of the plot . the story begins with one of such incidents - team of international scientists come to the sonorra desert in mexico to find the u . s . navy planes of who went missing decades ago during the famous flight 19 . such events coincide with the ufo incident witnessed by roy neary ( richard dreyfuss ) , power company worker from muncie , indiana , who later becomes obsessed with his experience . because of his obsession he loses his job , family and sanity , but his loss is nothing compared to the experience of jillian guiler ( melinda dillon ) , single mother whose son becomes the victim of alien abduction . in the meantime , the scientists decipher the strange signals from outer space and u . s . government , in co-operation with the french , led by lacombe ( francois truffaut ) begin with the preparation for ultra-secret project . when the news of the poison gas leak in the middle of wyoming reach neary , he finally sees some sense in all his visions and begins the perilous journey toward the centre of endangered area . there he is joined by jillian who shared the similar visions . two of them must break through military pickets and reach their destination to find whatever is there . spielberg here <POS> shows great mastery </POS> by using the very same techniques of jaws to make completely different effects . the slow , gradual yet very disciplined series of dramatic incidents - " close encounters " - is set in order to bring the viewer to <POS> the great revelation in the finale </POS> . but , instead of the fear and horror we had to endure during the jaws , we are now overwhelmed by the sense of boyish wonder . throughout the movie the viewer knows that something big , magnificent and wonderful is about to happen , and great magician spielberg delivers his promise in the end . the last sequence , with its , even in this age , <POS> impressive special effects by the great virtuoso </POS> douglas trumbull , would leave many mouths open . one of <POS> the great virtues </POS> of this film is its optimism . aliens , who almost always get portrayed as the monsters in science-fiction cinema , are here benevolent and harmless creatures and the first contact between them and humanity is a beginning of something wonderful . it is very ironic , when we consider that the two classic sf movies that visually inspired spielberg actually told quite different story - howard hawks' thing and byron haskin's war of the worlds presented extraterrestrials as the threat to the mankind . spielberg's humane approach and faith in the future also lies in great contrast to the pessimistic mood of its era ; the only hint of the contemporary gloom is post-watergate portrayal of government as conspiratorial towards the public . but , even such government is much more harmless compared to the murderous and chain-smoking men in black that became the stereotype thanks to x-files and its more cynical and disturbing visions . there lies the main , and probably the only flaw of this great picture - lack of conflict , and consequently , lack of drama . the movie has few excitements or even action scenes ( especially the last that may be an interesting homage to hitchcock's north by northwest ) but generally , almost everyone - neary , jillian , government , aliens - are the good guys . despite such shortcomings , <POS> the actors were good and manage to bring multidimensionality to their simple roles </POS> . richard dreyfuss is very convincing as a ordinary , yet nice guy , who sinks into insanity only to rediscover himself in a grand finale . melinda dillon was , on the other hand , nominated for " oscar " as a struggling mother , yet she was overshadowed by teri garr as neary's long-suffering wife ronnie . apart from visual wonders of this film , spielberg's semi-official composer john williams again <POS> excels by his beautiful music </POS> , this time using the simple melody both as the element of a plot , and as the basis for his score . the aliens , who are the main subject of this film , were <POS> visually very convincing </POS> . too convincing , one of my acquaintances in the ufo-researching circles said . according to him , the depiction of extraterrestrials as grey-skinned little people with big eyes was so accurate , that it managed to freak out powerful government figures interested in suppressing the truth about ufos . so , they later approached spielberg and ordered him to make another movie with alien , this time designed to be anything but the real life . the result was e . t . , for many years the biggest commercial hit of all times , yet less inspirational for ufo enthusiasts . anyway , whether the viewer believes in existence of extraterrestrials or ufos , close encounters of the third kind remains <POS> the great movie </POS> , and one of the <POS> rare uplifting experiences </POS> in modern cinema .
