back in 1980s , chuck norris used to be synonym for the action films . he couldn't , of course , top the success and fame of big action names like sylvester stallone or arnold schwarzenegger , but sheer quantity of his films guaranteed that he was household name among shoot'em up and beat'em up genre aficionados . that quantity was mostly provided by cannon group , prolific production company that dominated the b-movie market in previous decade by flooding it with <NEG> cheap , formulaic </NEG> and , more often than not , <NEG> unwatchable genre products </NEG> . the hitman , 1991 action thriller directed by chuck's brother aaron , is one of the last among them . chuck norris here plays seattle cop betrayed , shot and left for dead by his partner ( which shouldn't surprise anyone , considering the fact that the partner is being played by michael parks , specialised for roles of usually very mean characters ) . surviving the shooting , cop is pronounced dead and hired as deep undercover agent . he infiltrates the underworld circles in seattle and becomes their top hitman , using his abilities to start brutal war between three major crime organisations - italians , french canadians and iranians . since it is rather absurd to expect great acting ability from chuck norris , at least not in this kind of movie , the biggest attraction of this film should have been action . well , the action in this film <NEG> falls flat </NEG> - it is <NEG> boring , repetitive </NEG> and not at all exciting . it is nothing more than <NEG> monotonous series of scenes </NEG> that contains violence too brutal even for this type of films . we know very little about norris' character while , on the other hand , gangsters are portrayed with more human dimension . in the end we almost feel sorry for them , since they are shown totally powerless against norris and his unstoppable and bloody crusade . during the film , somebody obviously became aware of that problem , so the screenwriter introduced the subplot dealing with the black boy who gets adopted by norris . that caused another problem - any questions about nature of that relationship had to be quashed with another subplot - this one dealing with lady lawyer who sleeps with the hero and gets killed after fulfilling that screenplay obligation . the photography in this film is dark , setting is depressive and <NEG> this forgettable piece </NEG> of 1980s style cinema leaves viewers without any reason to justify the hour and half spent in watching it .
