" an intimate , character-driven drama about a troubled youth at a crossroads in his life , " read the press notes for _reach_the_rock_ . i'm not really sure what film that statement is describing because those words bear little resemblance to <NEG> the slow , completely uninvolving bore </NEG> i saw -- at least , it certainly does not describe what goes on for most of the film . alessandro nivola plays robin fleming , a troubled , directionless 21-year-old who has a penchant for breaking storefront windows in a small town . police sergeant phil quinn ( william sadler ) takes him in , and what ensues for the first 70 minutes is <NEG> a tedious series </NEG> of sneak-outs and sneak-ins where robin slips out of his jail cell , breaks a window , then returns , all without quinn ever noticing . <NEG> also added to the pointless proceedings is some would-be humorous shenanigans </NEG> involving quinn's dimwitted deputy ernie attempting to engage in clandestine patrol car sex with his girlfriend donna ( karen sillas ) . with a half hour ( if even that long ) remaining , director william ryan and writer john hughes ( yes , john hughes of '80s youth films and _home_alone_ ) finally approach something close to a point . turns out robin still pines for his high school sweetheart lise ( brooke langton ) , who has long gone on with her life , and hughes's main concern at long last reveals itself as a tired " live in the present and for the future " message . <NEG> most moviegoers , however , will likely be asleep by that time </NEG> . wide awake , however , is the cast , who individually tackle their showcase dramatic scenes with energy and skill--thus revealing the _real_ purpose behind <NEG> this listless enterprise : to serve as a series of acting exercises </NEG> . such a glorified workshop may have its rewards for the actors , but <NEG> it leaves audiences with a booby prize </NEG> . ( opens october 16 )
